VANG III. DieOrdnungDerDinge
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Scores have traditionally been understood as an object from which to build a substantial part of the history of music. Turned into fetishes, it is considered that they bear testament to the great ideas of geniuses for all eternity. What is left on a score is apparently undeniable. A century ago, these beliefs began to be called into question. The score is a trace, a attern, a stroke, a suggestion, a point of departure and arrival, one support among others, perhaps a nothing. We will listen to the process of its desacralization courtesy of the Berlin ensemble DieOrdnungDerDinge, which combines interpretation with performance.